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Author: Vanessa GuigneryEditor: Cambridge Scholars PublishingISBN: Size: 13,75 MBFormat: PDFRead: 619The Canadian author Alice Munro, recognized as one of the world s finest short story writers, published some seventeen books between 1968 and 2014, and was awarded the third Man Booker International Prize in 2009 and the Nobel Prize in Literature in 2013. This worldwide recognition of her career calls for a look back at her very first collection of short stories, Dance of the Happy Shades, published in 1968 and composed of fifteen stories written between 1953 and 1967. Some forty-five years after the publication of this first volume, worldwide specialists of her work examine the first steps of a great writer, and offer new critical perspectives on a debut collection that already foreshadows some of the patterns and themes of later stories. Contributors adopt a variety of approaches from the fields of narratology, gender studies, psychoanalysis, and genetic criticism, amongst others, to illuminate the main stylistic features, narrative strategies, literary traditions, modes of writing and generic traits of the stories in Dance of the Happy Shades.' Author: Alice MunroEditor: Penguin Books CanadaISBN: 435Size: 10,70 MBFormat: PDF, KindleRead: 475In the stories that make up Dance of the Happy Shades, the deceptive calm of small-town life is brought memorably to the page, revealing the countryside of Southwestern Ontario to be home to as many small sufferings and unanticipated emotions as any place. This is the book that earned Alice Munro a devoted readership and established her as one of Canada's most beloved writers.
Winner of the Governor General's Award for Fiction, Dance of the Happy Shades is Alice Munro's first short story collection. Author: Oriana PalusciEditor: Cambridge Scholars PublishingISBN: Size: 17,13 MBFormat: PDF, ePub, DocsRead: 531Alice Munro has devoted her entire career to the short story form in her fourteen collections, having won the Nobel Prize in Literature “as master of the contemporary short story”. This edited volume investigates her art as a storyteller, the processes she performs on the contemporary short story genre in her creative anatomical theatre. Divided into five topical sections, it is a collection of scholarly chapters which offer textual insights into a single story, compare two or more texts, or casts a more panoramic view on Munro’s literary production, embracing stories from her first collection Dance of the Happy Shades to her last published Dear Life.
Through different critical approaches that range from post-structuralism to cultural studies, from linguistics and rhetorical analyses to translation studies, the authors insist on the concept that no fixed patterns prevail in her short stories, as Munro has constantly developed, challenged, and revised existing modes of generic configuration, while discussing the fluidity, the elusiveness, the indeterminacy, the ambiguity of her superb writing. Author: Alice MunroEditor: Penguin CanadaISBN: Size: 18,59 MBFormat: PDF, DocsRead: 931'Munro's work endures-its wholeness of vision, its complexity of feeling, its tolerance of mind.' —Lorrie Moore The characters who populate an Alice Munro story live and breathe; in the finely drawn detail of their lives we find a reflection of ourselves. Passions hopelessly conceived, affections betrayed, marriages made and broken: the joys, loves, and awakenings of women echo throughout these twelve unforgettable stories, laying bare the unexceptional and yet inescapable pain of human contact. From the opening story exploring family relations to the poignant story that closes the collection, this is “vintage Munro.”. Author: Ajay HebleEditor: University of Toronto PressISBN: Size: 15,45 MBFormat: PDF, ePub, MobiRead: 504Much of the critical writing on the fiction of Alice Munro has explored and emphasized Munro's 'realism.' But her stories frequently turn on what has been left out; they are rife with unsent (unfinished) letters, with things people mean to, but do not, say or tell.
Ajay Heble's study focuses on Munro's involvement with a 'discourse of absence' and suggests that our understanding of these texts often depends not only on what happens in the fiction, but also on what might have happened. Munro's stories confer their meaning not simply by referring to an outer reality, but also by bestowing upon the reader a stimulating wealth of possibilities taken from what we might call a potential or absent level of meaning. Characteristically, they articulate an unresolvable tension between variants on these positions: between, on the one hand, her delineation of a surface reality - a world 'out there' which we are invited to recognize as real and true - and, on the other, her involvement with a discourse of absence that challenges the very conventions within which her fiction operates. Drawing on structuralist and post-structuralist theories of language and its relation to meaning, knowledge, and systems of power, and on theories of postmodernist fiction, Heble offers both a careful reading of Munro's stories and a theoretical framework for reading meanings in absence.
His book extends recent revisionist analysis and makes a valuable and original contribution to the criticism on Munro.
The Canadian author Alice Munro, recognized as one of the world s finest short story writers, published some seventeen books between 1968 and 2014, and was awarded the third Man Booker International Prize in 2009 and the Nobel Prize in Literature in 2013. This worldwide recognition of her career calls for a look back at her very first collection of short stories, Dance of the Happy Shades, published in 1968 and composed of fifteen stories written between 1953 and 1967. Some forty-five years after the publication of this first volume, worldwide specialists of her work examine the first steps of a great writer, and offer new critical perspectives on a debut collection that already foreshadows some of the patterns and themes of later stories. Contributors adopt a variety of approaches from the fields of narratology, gender studies, psychoanalysis, and genetic criticism, amongst others, to illuminate the main stylistic features, narrative strategies, literary traditions, modes of writing and generic traits of the stories in Dance of the Happy Shades.' In the stories that make up Dance of the Happy Shades, the deceptive calm of small-town life is brought memorably to the page, revealing the countryside of Southwestern Ontario to be home to as many small sufferings and unanticipated emotions as any place.
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This is the book that earned Alice Munro a devoted readership and established her as one of Canada's most beloved writers. Winner of the Governor General's Award for Fiction, Dance of the Happy Shades is Alice Munro's first short story collection. Alice Munro has devoted her entire career to the short story form in her fourteen collections, having won the Nobel Prize in Literature “as master of the contemporary short story”. This edited volume investigates her art as a storyteller, the processes she performs on the contemporary short story genre in her creative anatomical theatre. Divided into five topical sections, it is a collection of scholarly chapters which offer textual insights into a single story, compare two or more texts, or casts a more panoramic view on Munro’s literary production, embracing stories from her first collection Dance of the Happy Shades to her last published Dear Life. Through different critical approaches that range from post-structuralism to cultural studies, from linguistics and rhetorical analyses to translation studies, the authors insist on the concept that no fixed patterns prevail in her short stories, as Munro has constantly developed, challenged, and revised existing modes of generic configuration, while discussing the fluidity, the elusiveness, the indeterminacy, the ambiguity of her superb writing.
'Munro's work endures-its wholeness of vision, its complexity of feeling, its tolerance of mind.' —Lorrie Moore The characters who populate an Alice Munro story live and breathe; in the finely drawn detail of their lives we find a reflection of ourselves. Passions hopelessly conceived, affections betrayed, marriages made and broken: the joys, loves, and awakenings of women echo throughout these twelve unforgettable stories, laying bare the unexceptional and yet inescapable pain of human contact. From the opening story exploring family relations to the poignant story that closes the collection, this is “vintage Munro.”. Much of the critical writing on the fiction of Alice Munro has explored and emphasized Munro's 'realism.' But her stories frequently turn on what has been left out; they are rife with unsent (unfinished) letters, with things people mean to, but do not, say or tell. Ajay Heble's study focuses on Munro's involvement with a 'discourse of absence' and suggests that our understanding of these texts often depends not only on what happens in the fiction, but also on what might have happened.
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Munro's stories confer their meaning not simply by referring to an outer reality, but also by bestowing upon the reader a stimulating wealth of possibilities taken from what we might call a potential or absent level of meaning. Characteristically, they articulate an unresolvable tension between variants on these positions: between, on the one hand, her delineation of a surface reality - a world 'out there' which we are invited to recognize as real and true - and, on the other, her involvement with a discourse of absence that challenges the very conventions within which her fiction operates. Drawing on structuralist and post-structuralist theories of language and its relation to meaning, knowledge, and systems of power, and on theories of postmodernist fiction, Heble offers both a careful reading of Munro's stories and a theoretical framework for reading meanings in absence. His book extends recent revisionist analysis and makes a valuable and original contribution to the criticism on Munro.
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